16,787 Royalty-Free Audio Tracks for "Triads (music)"

Root position triads from C major scale.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Diminished triad on C , as MIDI.

Augmented chord progression: I+ IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+ IV64. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+#6 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: I+64 IV6. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Primay triads in c, as MIDI

Eb major triad, MIDI file

Augmented chord progression: I+ vi63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Created using Sibelius.

Minor triad on C

Major triad on F in root position. Created by Hyacinth (talk) using Sibelius 5.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

3-10 trichord on C. Diminished chord.

3-12 trichord on C. Augmented chord.

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Major triad on C in first inversion.

Major triad on F in second inversion

Major triad on F in first inversion

Major triad on C in second inversion.

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Iidim6 chord in C.

Beta scale major triad on C. MIDI pitch bend matches intervals.

Delta scale major triad on C

Gamma scale major triad on C.

Alpha scale minor triad on C. MIDI pitch bend appears to match intervals (0,64; 102,67; and 82,64).

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

Major chord on C in 17 equal temperament (0,5,9).

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Augmented triad on D.

Diminished triad on B, as MIDI

♭III+ chord in just intonation. Pitch bend matches intervals.

Major triad on C. Created using Sibelius.

Major chord on C in 17 equal temperament (0,6,10).

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Augmented triad on C, As MIDI

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Major chord on C in just intonation (1/1, 5/4, 3/2).

D, F, Ab = C, Eb-, Gb-

Werckmeister temperament major chord on C.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Pythagorean major chord on C.

Just minor chord on C: 10:12:15.

Septimal minor triad on C (C,E7b,G or 6:7:9)

C major triad, played by me

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Just major triad on C (4:5:6).